2013年1月1日 星期二

「金爆樂團」惡搞評審扮白臉鬼 登《紅白》沒種蹓大鵰 原文網址: 「金爆樂團」惡搞評審扮白臉鬼 登《紅白》沒種蹓大鵰 | ETtoday影劇新聞

日本以「搞怪」著稱的空氣樂團Golden Bomber(金爆),31日晚間首次登上《紅白歌唱大賽》舞台,熱舞滑稽演唱《娘娘的》,鼓手還號召全場觀眾一起扮起「白臉鬼」,連嚴肅的評審都搞笑隨之起舞,不過彩排時曾放話要全裸「蹓鳥」的他們卻臨陣退縮,自嘲:「裸體會被社長打死啦。」

金爆樂團雖是首次受邀上《紅白》演出,但在彩排記者會上,鼓手樽美酒研二竟放話:「演出時會讓大家看到『大鵰』現身。」據日媒報導,NHK高層因此震怒,嚴正警告:「不准再開黃腔。」引起外界關注。

昨(31)晚演出時金爆倒是非常安分,樽美酒研二只戴上「白臉鬼」面具,帶動全場搞怪扮鬼,成為當晚亮點,讓網友大笑稱讚:「雖然畫面有點恐怖但很有趣。」而成員事後也自嘲自己沒種蹓鳥,笑說:「裸體的話真的會被社長打死。」



▼金爆樂團日前在紅白記者會上大開黃腔放話要蹓鳥。(圖/翻攝自Oricon)


原文網址: 「金爆樂團」惡搞評審扮白臉鬼 登《紅白》沒種蹓大鵰 | ETtoday影劇新聞 | ETtoday 新聞雲 http://www.ettoday.net/news/20130101/147291.htm#ixzz2GhgmoD2E
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ZOOM B2.1u Has Batches Of Patches Buried Deep Within


安安你好我好大家好,這個紅紅的東西呢是BASS效果器喔,型號是ZOOM生產的B2.1U,阿更正是綜合效果器,可以讓bass產生多種不同的聲音變化,以上是介紹影片,英文版!good luck!

SA 『DON'T DENY GIVE IT A TRY!!』 PV


日本大叔龐克團,聽阿那強大的drum intro!!我親自試過還是不了那到底是怎麼打的,你要不要也give it a try看看啊?

The Beatles - I've Got A Feeling


傳奇搖滾樂團The Beatles的經典名曲I've got a fealing,你有感覺了嗎?事實上在一部滿有名樂團動畫BECK,主角在劇情裡有翻唱過這手歌,但我懶得貼給你看!咖咖!給我聽完原曲後自己去找!

Charles Bradley - Why Is It So Hard (Live on KEXP)



Charles Bradley   這臉也太苦情了吧我說,不過實在是太好聽了,配合樂手高超的演奏,是不是阿我說?那化龍點睛的小喇叭!整個真情流露無限大阿葛格!

Alice in Chains - Man in the Box (live)


我個人實在是很討厭那消音,它可以說毀了整手歌!!!
影片回復往現一拉滿滿的留言都是I hate the fuckin' BEEEEP類似的!
這種不尊重的聲音起不比樂團那創作中神聖的髒話更加不堪入耳嗎?

好啦爆院時間結束,給你帶來Alice in Chains 的Man in the Box!
P.S主唱Layne Staley RIP

Knucles - Radio


令人想跟著動起來的ska music,加上vocal無敵嘲諷的唱腔,以及龐克味實足的合聲,啊~愉悅。

Rancid - Live at Tokyo 2004 (FULL SHOW)


這是美國偉大經典龐克團Rancid,於2004年在東京半的世界巡迴演唱  完  整  版  !!!

希望他們哪天也會來台灣辦演唱會,到時一定要去朝聖啊!

Paul Potts sings Nessun Dorma



你得先感動自己,才有力量感動他人。相信自己的人,才有辦法想像他人的喝采與掌聲。這是Paul Potts的築夢故事,當大家都不看好他的時候,他是靠著哪般堅持與信念,去使人刮目相看。

I'm Made of Wax, Larry, What Are You Made Of?


簡單說明一下,這種類金屬唱腔加上爽感龐克進行,就是所謂的Crossover啦!

"我是臘做的,你呢拉瑞?你是甚麼做的?


Music video by A Day To Remember performing I'm Made of Wax, Larry, What Are You Made Of?. (C) 2010 Another Victory

Nothing!



哈哈!最近身邊有人生日嗎?如果不知道要跟他說甚麼或送他甚麼,就把這分享給他吧!
這是一部美國金屬頭動畫,"金屬啟示錄",非常之暴力血腥加情色,果斷18禁,卻又充滿黑色幽默好笑到不行,號稱金屬咖一定要看的一部動畫,但事實上個人認為不管你有沒有接觸金屬,這部動畫都將會是一個很好的消遣。

《坂道上的阿波羅》第7話插入曲,長達3分31秒的爵士組曲演奏!



動畫結合了古典爵士,此部動畫,在音樂上的講就程度是一個非常大的突破,同時在畫風上也能抓住音樂人肢體律動的靈魂,非常高明。

聽聽特別的6/6。


Music video by Primus performing Over The Falls. (C) 1997 Interscope Records

Blues Jazz Double bass Performances by Stephane Barral




Stephane Barral is a brilliant Musician in "Sweet Mama" and "Las Vargas" bands.
The double bass, also called the string bass, upright bass, bass fiddle, bass violin, doghouse bass, contrabass, bass viol, or stand-up bass, is the largest and lowest-pitched bowed string instrument in the modern symphony orchestra, with strings usually tuned to E1, A1, D2 and G2 (see standard tuning). The double bass is a standard member of the string section of the symphony orchestra[1] and smaller string ensembles[2] in Western classical music. In addition, it is used in other genres such as jazz, 1950s-style blues and rock and roll, rockabilly/psychobilly, traditional country music, bluegrass, tango and many types of folk music. A person who plays the double bass is usually referred to as a bassist.
The double bass stands around 180 cm (six feet) from scroll to endpin,[3] and is typically constructed from several types of wood, including maple for the back, spruce for the top, and ebony for the fingerboard. It is uncertain whether the instrument is a descendant of the viola da gamba or of the violin, but it is traditionally aligned with the violin family. While the double bass is nearly identical in construction to other violin family instruments, it also embodies features found in the older viol family.
Like many other string instruments, the double bass is played either with a bow (arco) or by plucking the strings (pizzicato). In orchestral repertoire and tango music, both arco and pizzicato are employed. In jazz, pizzicato is the norm, except for some solos and also occasional written parts in modern jazz that call for bowing. In other genres, such as blues and rockabilly, the bass is plucked.
When playing the double bass, the bassist either stands or sits on a high stool and leans the instrument against the bassist's body with the bass turned slightly inwards in order to more easily reach the strings. This stance is also a key reason for the bass's sloped shoulders, which mark it apart from the other members of the violin family, as the narrower shoulders facilitate playing of the strings in their higher registers.
The double bass is a transposing instrument and sounds one octave lower than notated.
Blues is the name given to both a musical form and a music genre[1] that originated in African-American communities of primarily the "Deep South" of the United States at the end of the 19th century from spirituals, work songs, field hollers, shouts and chants, and rhymed simple narrative ballads.[2] The blues form, ubiquitous in jazz, rhythm and blues, and rock and roll is characterized by specific chord progressions, of which the twelve-bar blues chord progression is the most common. The blue notes that, for expressive purposes are sung or played flattened or gradually bent (minor 3rd to major 3rd) in relation to the pitch of the major scale, are also an important part of the sound.
There are also 16-bar blues, as in Ray Charles's instrumental "Sweet 16 Bars" and in Herbie Hancock's "Watermelon Man". Idiosyncratic numbers of bars are also encountered occasionally, as with the 9-bar progression in "Sitting on Top of the World" by Howlin Wolf.Like jazz, rock and roll, heavy metal music, hip hop music, reggae, country music, and pop music, blues has been accused of being the "devil's music" and of inciting violence and other poor behavior.
Perhaps the most visible example of the blues style of music in the late 20th century came in 1980, when Dan Aykroyd and John Belushi released the film The Blues Brothers. The film drew many of the biggest living influenciers of the Rhythm and blues genre together, such as Ray Charles, James Brown, Cab Calloway, Aretha Franklin, and John Lee Hooker. The band formed also began a successful tour under the Blues Brothers marquee. 1998 brought a sequel, Blues Brothers 2000 that, while not holding as great a critical and financial success, featured a much larger number of blues artists, such as B.B. King, Bo Diddley, Erykah Badu, Eric Clapton, Steve Winwood, Charlie Musselwhite, Blues Traveller, Jimmy Vaughn, Jeff Baxter
傳奇的視覺系搖滾天團,X JAPAN團長Yoshiki的自傳 Yoshki/佳樹 出版日期:2010年01月27日。
http://www.books.com.tw/exep/prod/booksfile.php?item=0010459159

民謠搖滾之父- Bob Dylan,1965年在新港民謠音樂節首度拿起電吉他進行"插電"的公開表演,他用就是Fender Stratocaster!!

Bob從"不插電"到"插電",每一次表演/創作都不斷向前,堅持創新,真正地落實"搖滾"精神! 搖滾活化石,Like a Rolling Stone ~

這把Tele是好朋友吉他手Jeff Beck在1966年送給他的,感謝Jimmy替補他擔任The Yardbirds吉他手(Jeff自己則改買了一把Fender Esquire作為他後期在團內的主要演奏樂器)。

這把玫瑰木指板的Tele應該生產於1959年以後,琴身一開始被Jeff Beck漆成白色,在1967年迷幻意識開始蔚為風行,Jimmy把漆磨了,改裝上了鏡面護板並重新修整過電路,最後漆上黃綠紅色彩的迷幻龍,就此誕生!!

Jimmy彈奏這把《Dragon Tele》在The Yardbirds後期以及Led Zeppelin的初期,史上評價為最佳SOLO的歌曲-《Stairway to Heaven》 也是使用這把錄音並彈奏。

為什麼後期這把龍紋身的吸睛美琴,沒再出現過了呢?Jimmy 在1998年受Guitar World專訪時提到,《Dragon Tele》最後有個悲劇的結尾!

Jimmy有次帶著他的59年Les Paul吉他去巡迴時,他的一個朋友好心地幫他"完成"這黃綠紅的龍圖騰,但朋友卻幫倒忙,把電路給搞壞了,只剩下琴頸的拾音器能發聲,Jimmy拆掉琴頸裝在其他Fender Tele上,而原本龍圖騰的琴身,Jimmy在那次悲劇之後就沒看過了.....如果這悲劇沒發生,現在舞台上或許能看到Jimmy Page繼續拿著這把《Dragon Tele》,彈奏著天堂之梯!
原文出處:http://www.facebook.com/Fender.tw?fref=ts